Last Updated:

November 2012


Book One

One Naughty Night

Lily St. Claire's story

(June 2012)





London, 1841

It was a complete disaster.

Lily St. Claire ran down the red-carpeted stairs of the Majestic Theater and through the gilded, near-empty lobby. Few people lingered there on the velvet banquettes or at the mirrored bar sipping champagne. They were all in their seats and their fine boxes, savoring her ruin.

The long, pleated silk and muslin skirts of her Juliet costume wrapped around her legs, and she stumbled. Even the costume seemed to be against her tonight. She snatched her skirts up in great handfuls, crushing the fine fabric, and kept running.

Lily burst out the doors and onto the marble steps that led to the theater. Earlier that evening, when her nervous hopes were still alive, carriages had deposited their owners at the foot of those same steps. Ladies in fur-trimmed cloaks and gentlemen in top hats had flowed up them, all of Society come to see a new William St. Claire production.

"It is sure to be excellent," they said to each other. "His As You Like It last season was marvelous. A triumph!"

Her adopted father's Shakespeare productions were always a triumph, year after year, even in the crowded London theatrical scene. They paid for the Majestic and helped with all the St. Claires' many business operations, both respectable and not so much. But As You Like It had starred William's wife Katherine St. Claire, a glittering star of the stage, in her farewell performance as Rosalind.

He had not been so careful in his casting of Romeo and Juliet.

"What a fool I was," Lily whispered. After her youthful life in the back alleys of London, she had thought she could never feel foolish again, especially over mere playacting, but here she was. She hurried down the steps and around the side of the building, hoping to find a hiding place before the audience departed. They were all watching the farce that always followed the main play, but that would be over soon and everyone would be leaving the theater. She didn't want to hear their comments.

Her father had told her that she was not yet ready for a lead role, in his own gentle way. "You learned so much as Bianca in The Taming of the Shrew last year, my dear," he said when she pressed him about Juliet. "Perhaps one more season would help prepare you..."

But no. Stubborn fool that she was, she had insisted that all her acting lessons, all her years of watching the St. Claires since they adopted her when she was nine, were enough. She was ready to be a real actress.

To be a real St. Claire.

But as soon as she stepped onto the stage, the lights dazzling her eyes and the Renaissance velvet costume weighing her down, she froze. She could not remember her lines or her blocking, could not even remember her character's name. Only when the actress playing the Nurse grabbed her hand hard and mumbled her first lines into her ear had she remembered.

After that she stumbled through the play like a numb, terrified fawn, the whole thing a horrifying blur. She didn't know how she ever made it to the end.

It was certainly not the most terrible thing that had ever happened to her, Lily thought as she kicked out at a pile of crates stacked by the wall. Pain shot through her toes. No, freezing up on stage was nothing to watching her mother die of opium addiction, or starving and picking pockets on the streets of Whitechapel, as she had all her life before the St. Claires took her in. It wasn't like being caught by the wrong people at the wrong time.

But the St. Claires had saved her from all that, had raised her as their own, educated her, fed her, clothed her. Loved her. That made this failure even worse. It wasn't just her failure--it brought them down too.

The Majestic was her father's great dream. He had fought so hard for it and worked so much to make it a success. And she, with her foolish self-confidence and her stubbornness, had ruined its season opening.

Lily made her way through the maze of loading docks behind the theater, where scenery and crates of costumes were unloaded. Usually the stagehands hid there for a quick smoke or nip of gin, away from Katherine St. Claire's sharp eyes, but tonight the docks were deserted.

She dropped heavily onto a wooden bench, letting her skirts fall around her. She dragged her veiled cap from her head and shook out her heavy brown hair.

"I suppose I'll have to marry Harry Nichols now," she said aloud and shivered. Harry had been a most persistent suitor lately, and he was a prosperous one with his greengrocer stores and house in Piccadilly. He was also handsome enough in a florid way, and well-mannered.

But there was something in his eyes when he looked at her that she did not like.

"Now that would be a shame," a deep, brandy-smooth voice said from the shadows.

Lily leaped from the bench and whirled around. It was so dark that at first she couldn't see anything at all. She could only hear the soft sound of breathing, the slight brush of fine wool fabric.

Her body grew tense and alert, every instinct from her childhood in the slums rushing back over her.

She had become weak in recent years, letting her guard down, not paying attention to every aspect of her surroundings. In Whitechapel, she would have been dead minutes ago.

"Who is there?" she called. Her hands curled into fists as she scanned the dock. "Show yourself!"

A man stepped from the shadows, his hands up, palms out. A lit cheroot was held between his lips, which curled in an infuriatingly amused smile. He didn't look like a Whitechapel creeper. He was tall and leanly muscled, dressed in a well-cut evening coat of dark blue wool and a cream-colored silk waistcoat. A simply-tied crisp white cravat looped about his neck, skewered with a sapphire stickpin.

Lily stepped back to study him closer. He was handsome, she had to admit--almost absurdly so, as if he were a painting or sculpture. His hair, a deep, glossy mahogany-brown, swept back from his face in waves to tumble over his collar. His face was all sharp, aristocratic planes, blade-like cheekbones, a straight nose, a square jaw with the tiniest dimple set just above it. His eyes were very, very blue, almost glowing, set off by smooth olive skin and a shadow of dark whiskers along his jaw.

He didn't look like a criminal, lurking about to rob unsuspecting theater-goers. But Lily knew very well how appearances were deceptive. After all, didn't she appear to be a lady now--even if she was not a Shakespearean actress? In reality, deep down, she was still just that street urchin, daughter of a whore.

The man slowly plucked the cheroot from between his lips and held it between his thumb and forefinger as he exhaled a plume of smoke. It wreathed around his head, making him look like a demon emerging from hell. A handsome Mephistopheles sent to tempt her.

"Are you going to call for a constable to arrest me?" he asked.



Coming in 2012--escape to Victorian London with a new series! 

Book 2:

Two Sinful Secrets

(December 2012)




Book 1: 

One Naughty Night(June 2012)


Praise for
Countess of Scandal

“Laurel McKee’s prose is lyrical, her pacing is flawless, and her talent for evoking a rich, sweeping historical atmosphere is second to none” –USA Today Bestseller Julianne MacLean

 “An exciting, suspenseful and very passionate story.  Loved it and very much look forward to the next in this series.  Interesting history lesson and a good backdrop for a first-class love story”—Romance Reviews Magazine

 “Ms. McKee’s style of writing is stellar, streaming with lovely prose, vivid descriptions, breathtaking love scenes, and action-packed tension.  Every word sings with unyielding intensity” –Romance Junkies

“McKee sets the stage for a romantic adventure that captures the spirit of Ireland and a pair of star-crossed lovers to perfection” –RT Book Reviews - 4 Stars

 “Countess of Scandal combines a passionate romance with a nail-biting plot.  The author’s research shines through to make the era come alive, as well as her characters.  An exciting tale out of the common mold” –Romance Reviews Today

 “This book has rarely used and well-drawn setting, good characters, and so much more working in its favor.  I absolutely loved reading this one!” –All About Romance

 “McKee’s intriguingly nuanced characters and deliciously subtle sense of humor provide the ideal counterpoint to the perfectly executed historical setting that gives Countess of Scandal its refreshingly different literary flavor” –Booklist


Want to know more about Georgian Ireland and the events surrounding Laurel's Daughters of Ireland trilogy? Check out Behind the Book and Resources.


Picture of Laurel at RWA '09!